NY NOW Market told Abigail Brown "too bad" about her ripped off design, despite the evidence against the poor behavior of Cody Foster.

Dear Abigail:

My name is Scott Kramer, sales directory of NY NOW. Your email has been forwarded to me and I appreciate that you took the time to write us.

The gift industry, along with many industries, is faced with companies working with other’s ideas and designs. I can understand the frustration that you must feel as an artist. This is however a difficult situation for us in that as a show management company we aren’t able to adjudicate these issues. We wouldn’t be within our legal rights to stop them from exhibiting. You could go through our legal system and attempt to stop them from producing any of your designs.

I wish you luck with this and hope you can reach a favorable conclusion.

Sincerely,

Scott W Kramer | Sales Director | NY NOW® - LIFESTYLE & NEW!

Cody Foster, again

Cody Foster, wow. Check out yesterday's post on Jezebel on the subject.

Fast fashion faux pas

Want to know how cheap, fashionable clothes originate? Take 2 minutes and watch this:
Created by OnlineMBA.com

The process of fast fashion generally bypasses true, original designers and neglects to maintain artistic integrity. More and more often independent designers find their products ripped off and for sale in big box stores without their consent or knowledge.

Don't believe me? Just ask Shannon Kennedy of Sass & Peril. Her Instagram tells the whole story. 

Doug Johnston

Not so long ago I pinned some images of baskets, simple in concept, but with a surprisingly fresh and new approach that made them modern and unique. Those baskets were (and are) made by Doug Johnston. Not only are they visually stimulating, the description of the process of making, the evolution of form, and the studies behind the product make the objects that much more fascinating.

From Doug Johnston's website/portfolio:

sash cord studies | 2010 - present
cotton or poly sash cord and polyester thread / dimensions variable
A selection of bags, baskets and sculptural vessels based on these studies is available for purchase in [Johnston's]  webshop
Vessels, masks and sculptural pieces utilize an old crafting technique in which rope or cord is coiled and stitched to forms bowls and baskets. The technique is itself based on the ancient method of making ceramic coiled pots as well as coiled basketry. The method explores ways of transforming a linear material into three-dimensional objects, an interest I have also studied in other materials such as yarn or plastic tubing. I also see the process as a form of analog 3D printing/prototyping performed by a sewing machine and with much less precision. In this way the "3D file" is in my head as I begin each piece and its formation happens by making certain adjustments to the work while sewing. The process has its own limitations, largely determined by the sewing machine, and each piece takes on deformations and glitches that give it unique personality.

The studies use the raw 100% cotton braided cord, often called sash cord, and colored sewing thread. They are individually sewn on an industrial zig-zag sewing machine without the use of forms or molds and allow me to explore ideas for larger works such as Rumpleskillskid.

Not too long after seeing and pinning Johnston's work, I saw a tweet about identical, but mass made, baskets, now available at Target, a corporation known for copycat behavior.

Then today a shop was featured on the etsy front page with product photography and descriptive language eerily similar to Johnston's own.